Ruido Rosa, 2023

The project is dedicated to all beings who face the processes and consequences of migration, as well as in touch with nostalgia and the search for a miracle necessary for survival amid indifference and routine.

Sonic creatures, 2021

Inspired by the essay "Sonic Creatures" by Francisco Lopez, I consider sound as something that exists by itself. By provoking other acoustic micro-situations in different lands, the project articulates the political possibilities of sound and the existence of "worlds" that, for some reason (political, ethical, economic, etc.), were obscured, have not yet been formulated or are already unthinkable. Through the study of the ethics of presence, based on the recognition of the Other and co-existence with the Other in stable unpredictable conditions, I am looking for uninhibited, inspiring ways of further existence on Earth.

Portrait of Emigration, 2024

The last self-portrait taken on July, 2022 at Moscow Vnukovo airport before flying to São Paulo. The transformation of the portrait occurs by recoding the sound of the photograph back into the image and the resulting image into sound, and then back into the image, and so on through 38 transformations until “hello to Malevich” and complete darkness.

The sound of the image also changes with each subsequent recording and eventually turns into an almost soft white noise, but it does not disappear, as with a photograph. The process is about constant transformation, emigration, the search for liberation, vulnerability, growth, inevitable loss, the temporary absence of a voice in a new land, and the exciting darkness of the unknown, filled with the eternal glow of white noise.

Rush Home, 2024

Notes for a Hole, 2023

Discussing the conditions under which Chinese plantation laborers worked in America in the last century, Maxine Hong Kingston, in her book Chinese Men, mentions that in most cases, they were forbidden to talk to each other while working. Therefore, they would sometimes dig holes in the ground and shout out their news, secrets, and dreams there, hoping that loved ones would hear the sonic messages on the other side of the world.

Collecting messages, dreams and secrets that we could share with the soil, knowing that it would spread them with water, seeds, fruits and winds across the planet, as part of a residency Silo-Art e Rural in Brazil I reflected on and learned about the practices of local people, artists and visitors from other countries in speech communication with the land.

Traveling between different media, I recorded short interviews, took photos of participants, and collected their written wishes for the land. I did the subsequent processing of this data in the form of sound (interviews+pre-transformed photos into audio). The final audio narrative was visualized back through software and afterward printed for installation by hand. Thanks to the "Notes for a Hole" project, I was able to find and preserve inspiring, contrasting, in some ways very similar, but also different ideas, the fruits of which can perhaps be harvested in the future at all ends of the earth.

Rush Home is a fairy tale series based on AI video snippets that highlights the mistakes of humanity, upcoming dangers, and predicts the near future. Here, with errors and "actors" from artificial intelligence, I look for possible future scenarios for the Earth through my texts, field recordings, and generated chords. The first episode.

The second episode.

The third episode.

The performance "Tour"(documentation), 2021

Continuing the traditions of the culture eaters, I went to the homeland of the author of the manifesto of anthropophagy, to pronounce the text eaten alive by translations, which has been multiplying around the world for 93 years. Is it safe? Why am I here? On the grave of Andrade, the sticky streets of the metropolis, eaten by hereditary migrants, tribes, Brazilians, masks, loudness, crime, and cannoli from Italians! Everyone will feast on each other with a smile, under a sad samba, tolerance, and expectation of a post-COVID carnival. All bitten, but intact, why am I here? Going on, trying someone else's air. On Andrade's grave. Read."

The performance "Tour" took place on 31/10/2021 in the format of an online broadcast from the cemetery Consolação São Paulo for the Kerka gallery, St. Petersburg, Russia, within the framework of the exhibition "Cultural Anthropophagy", curator Valentina Makarova.

The first episode.

Video art

"Transfer to Line Four", 2021

What does the world sound like in which the sounds are mixed up in places? Will we be able to sense and articulate the audio substitution that has happened?

The sound serial "Transfer to Line Four" is working like video projection. The title refers to the idea of Francisco Lopez, indicated in the essay "Sound creatures", where the author recognizes sounds as things in themselves and refers them to four-dimensional, since sounds do not exist without time.

In the first season, you will find field recordings made in different situations, weather conditions and places of the Krasnoyarsk Territory, the Republic of Khakassia, St. Petersburg, Komarovo, the St. Petersburg metro, Moscow, trains between St. Petersburg and Moscow, Salzburg, trains between Vienna and Salzburg.